Dan Matutina of Plus 63 is easily one of my favorite illustrators. He’s got such a unique style, and I’m always thrilled to see what he’s up to. As an avid F1 fan who is excited to watch Formula E evolve, seeing Dan’s work on these Qualcomm Formula E posters made my day. If anyone has a spare copy of one of these, let me know. I’d love to frame one for my office.
I’m loving BreakpointTester. It’s a bookmarklet that scans your CSS/breakpoints and displays them all at once. It shows not images, but actual web pages you can scroll, navigate, and even web inspect. Brilliant!
I’ve been enjoying Mr. Robot this Summer—It starts with one of the best pilots I’ve ever seen. One small detail that’s stood out for me are the title shots. The music, framing, and oversized logo are just all so epic. Creator Sam Esmail at fastcocreate.com:
The typeface was the one ingredient about the opening titles that we kept as our flag of consistency. Fonts are something I obsess about constantly. People might find that silly, but for me, everything in a film should be deliberate and designed. This was also something that was going to serve as our signature for the overall series, not just an episode. I must have looked at hundreds of fonts before settling on our current one. I’ve always likened our genre to the paranoid thrillers of the ‘70s and ‘90s, and this title card checked that box for me perfectly.
I’m excited to see that James Edmondson has started OH no Type Company (via Nick Sherman).
The full announcement can be read here. My favorite bit:
Also, why are type foundries typically marketed in such a vanilla way? Why can’t they be more like skateboarding companies?
I loved Mad Max: Fury Road, and found this 1999 first draft from George Miller (via @mccrabb_will) to line up with the final product fairly closely. Seeing this graphic also reminded me that my favorite Fury Road review was written by Mandy Brown: The Vuvalini. Check it out.